Is a radical gesture.
An unapologetic body speaking in its own language of resistance.
Ink drawing.

To deconstruct is to shift the gaze.
This figure challenges how we see.
Ink drawing.

Deconstruction holds the power to rebuild. This figure embodies that force the collapse that makes space for creation. Ink drawing.

A raw cry of defiance.
A declaration of strength against every form of repression.
Ink drawing.

When the world becomes too dense, the body twists, folds, and expands.
This drawing holds that tension between chaos and balance.
Ink and color.

A hybrid figure, both free and mischievous, she embodies the raw joy of being oneself without compromise. Her body stretches and twists with unrestrained energy, inviting us to let go, to embrace our instincts, and to rediscover the wild playfulness within.

A body resting in its own truth.
Pure being, without ornament — only presence.
Ink drawing.

It is a declaration of strength: I can. Here, the self encounters its higher spirit , the rider and the ridden fused into one. The drawing becomes an emblem of inner drive, freedom, and the courage to act.

he figures emerge in raw, instinctive lines, defying the rules of form and academic structure. Here, the act of drawing itself is a declaration of independence: we draw what we want, we shape what we want. The work reflects the untamed power of creation playful, enigmatic, and unbound.

A dark, monumental figure looms over a more fragile silhouette, almost smothering it. The contrast of black, violet, and blue heightens the silent violence of the scene. It evokes invisible pressures, the crushing force of power, the shadow that spreads yet also the courage to expose this dynamic in its raw truth.

A female figure, naked yet draped in fabric, turns her gaze away. Her solemn expression and frozen gesture suggest an intimate vow, perhaps impossible to keep. Between vulnerability and dignity, this drawing embodies the weight of a promise fragile yet symbolically immense.

An isolated silhouette, turned inward. More than withdrawal, it is an inner journey a search for light within solitude. The fragility of the line reveals the depth of silence.

INK and colors

A free, dancing, vibrant figure. She embodies raw vital energy that of childhood, the erupting force of a naïve discovery of the world.

Pleasure here becomes a timeless state vital and wild like when we were child forgetting about time while playing.

This drawing recalls the wild energy of childhood, when we follow our feelings with unguarded trust.

Two figures bound together, both attracted and repelled.

The body in motion, almost disjointed, seems to reach for something just beyond its grasp.

Two nude bodies sit quietly at the edge of the water, immersed in an atmosphere of silence and fatigue. Their closed postures, their distant gazes, and the intensity of red and blue tones evoke a profound weariness.

It is not only sadness, but a state of suspension a moment where time seems to pause, and the weight of existence settles into the stillness of the scene.

A scene where the notion of family appears ambivalent. The figures seem bound together, yet a fish lies on the ground — a sign of loss, fragility, or sacrifice. Behind unity, the drawing also reveals tensions and a darker memory.

Nude silhouettes blend into a landscape of fields and architecture. The scene evokes the memory of a shared place, where bodies imprint themselves like traces within the setting. Friendship here becomes remembrance: a presence that lingers in the inner landscape.

A figure lies in the midst of grassy surroundings, encircled by barely sketched silhouettes. Isolation strikes despite the presence of others. Perhaps the naivety is to believe one is never alone, when solitude sometimes bursts forth as a brutal evidence.

A winged woman, tongue out, licks her hand in a gesture at once childlike, animal, and sacred. The image embodies instinctive self-healing, a tenderness directed toward oneself, far from social codes. Care here becomes a reconciliation with one’s own body, in all its strangeness and sincerity.

Ink and color

Freedom, provocations, homosexuality

Expressing dependance;
A reclining figure, almost absorbed by emptiness, embodies the weight of dependence. The hand on the head suggests exhaustion, while the vacant spaces around the body heighten the sense of absence. The fragmented lines and unfinished forms speak of a bond that confines rather than nurtures an attachment that consumes more than it gives.

Ink on paper

Two entangled figures evoke an unhealthy, predatory energy. One body bends, powerless, while the other holds it in possession. The simplicity of the lines amplifies the violence implied, revealing the dynamics of domination. This drawing is less about the literal hunt than about the shadowed energies that haunt human relations.

A figure stretches upward toward the birds, while another, older presence gazes with a piercing, guiding look. Between them flows a silent dialogue — youth and age, innocence and wisdom. The Mage embodies initiation: the moment when experience hands its light to the one still searching.

This drawing reimagines the archetypal tarot card. The figure, both playful and unsettling, embodies innocence touched by danger. With serpents, fruit, and animal forms surrounding the body, it speaks of temptation.

A gaze upon architecture and places of life. The shops become symbols of encounters, movements, exchanges a visual rhythm unique to Dakar.
Ink & watercolor

A direct homage to the city and its vibrant energy. This drawing condenses the memory of a lived moment, where colors and lines capture Dakar’s warmth and vitality.
— Ink & watercolor

Three figures connected by a play of gazes and attachments. This drawing explores the dynamics of desire, fragile balance, and emotional intensity.

Trois figures liées par un jeu de regards et d’attachements. Ce dessin explore les dynamiques de désir, d’équilibre fragile et d’intensité émotionnelle.
Ink & watercolor

An everyday scene turned into an artistic motif. Here, virtual connection becomes a living matter, where simple gestures are filled with humanity and humor.

Ink & watercolor

A drawing that evokes the union and fluidity of bodies in immensity. The sea becomes a space of communion, strength, and shared freedom.
ink & watercolor

A cluster of figures lean against each other, their bodies forming a fragile yet powerful architecture. No stones, no walls only limbs, balance, and trust. It is a vision of bodies becoming structure, reminding us that before monuments there is always human action.

This work depicts a woman carrying a house on her head. The image suggests that our true foundations are never fixed they travel with us. Wherever we go, we carry within ourselves the memory, the strength, and the roots that sustain us. The female figure embodies the courage to walk forward while holding on to what makes her whole her body, her history, her capacity to create.

A cluster of intertwined figures builds an impossible balance, each body sustaining the others in a fragile yet unbreakable harmony. This work reflects how foundations are living bonds, woven through trust, vulnerability, and sometime collective strength.

A woman holds a house as if it pulsed with her own heartbeat. The home is not external but inward: the body itself as dwelling, memory as foundation, life as architecture. It is an intimate vision of shelter, rooted in the self.

A woman carries a basket of fruits atop her head ; abundance, harvest, matter.

Here, the canvas deepens that idea: the women depicted are the ones carrying and raising the foundations themselves. But these foundations are not material objects, nor external constructions. Their true house, their first ground, lies in their own bodies and in the creative act they embody.